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Alexa Eisner has a background in social rebellion through dance in which art interrupts the redundancy of public spaces. For the opening reception of Terrain: navigating landscapes, she will be synthesizing dance and paint in a performance that will challenge traditional

Working out of his San Francisco studio on the outer edges of the city’s Mission district, Mark Garrett transforms neglected maps picked up at flea markets into intricately cut, mixed-media pieces that read like geographic oil-spills.

Mark’s intriguing deconstructed maps draw

For Terrain James is presenting a series he refers to as “process landscapes,” in which the act of creation is the focus of his large, collaged compositions. For these pieces James uses his 1952 Heidelberg Windmill to venture into solidly abstract

In this third installment of Elisa Gomez's "Tour to Terrain," Elisa makes her way through Wyoming where the expansive wilderness introduces a distinctly new palette in the creation of her second painting. The artist discusses the process of making her newest

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Terrain artist, Karina Bania's serene, reduced-form landscapes depict the tangible world around us, as well as the invisible, yet perceptible geography of everyday moments. These “inner landscapes,” as the artist calls them, give color and form to the emotive territory we venture

Part 2 of Elisa Gomez's "Tour To Terrain"

Elisa makes her way to Telluride, CO where she begins painting on mountainsides. With the pressures of conventional life now removed from her daily existence she feels her work evolving:
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Chris Lopez is a multimedia artist who creates lyrical compositions exploring dramatic lighting and its manipulation of the male form. His compositions, frequently labeled "erotic," are portrayals of his personal concepts of beauty. 

This post introduces a special series titled, “Tour to Terrain,” following abstract-expressionist artist, Elisa Gomez, as she makes her way from Texas to California. Elisa will be participating in The Midway Gallery’s fall exhibition, Terrain, a meditation on the outdoors (Sept. 10

“My approach is not really to be erotic in any way, it’s more about studying the human figure and expressing it. [. . .] I’m looking at the grand age of dramatic, figurative art and I want to explore that